Olivier Mellano (born July 21, 1971) first studied violin and then took up musicology in Rennes where he started collaborations as a guitar player with more than 50 French artists operating between rock, pop, hip hop, electronic and songwriting (Laetitia Shériff, Psykick Lyrikah, Bed, Dominique A…).
He regularly writes music for drama (Stanislas Nordey, David Gauchard), for film, radio, dance or for poetry and fiction lecture. Along with these compositions, he actively implies himself in impros, alone, in a duet (François Jeanneau, John Greaves, Noël Akchoté, Boris Charmatz…) or with actors and writers (André Markowicz, Claro, Nathalie Richard, Pacôme Thiellement…).
As he is keen on encounters going beyond borders or styles, Olivier Mellano also administrates his own collective projects, L’Île électrique -the electrical Island- or La Superfolia Armaada for which he gathers the most adventurous artists during temporary sets that take place in many festivals.
In 2006, he released La Chair des Anges on the Naïve record label: the album includes his pieces for harpsichords and organ, an electric guitars octet, a string quartet as well as voices, halfway between baroque and contemporary music, interpreted by the Debussy Quartet, Olivier Vernet, Valérie Gabail, Bertrand Cuiller, Frédéric Rivoal and Les Voix Imaginaires. La Chair des Anges was performed at the Cathedral Basilica of Saint-Denis or at the Church of Saint-Eustache.
In 2012, he released How we tried a new combination of notes to show the invisible, a triptych produced by La Station Service and premiered at the Rennes opera during the Transmusicales festival.
Back in 2008, his first writing La Funghimiracolette, a book of imaginary musical texts was published. He is currently working on his second book.
Nevertheless, he did not part from the world of rock music and in 2014, his pop-noise solo album MellaNoisescape was released. He is now preparing the second set.
No Land is his latest creation.